The Red Krayola with Art & Language
Five American Portraits

Après une rencontre en 1998, directement sur scène et sans instrument lors d'un concert de Red Krayola, Mayo Thompson et moi sommes restés en contact. Il m'a ensuite invité à les rejoindre lors de leurs concerts parisiens. Une décennie plus tard, l'invitation est pour enregistrer un album à Londres avec Mayo Thompson au chant, guitare et piano, Gina Birch (The Raincoats) à la basse et voix, Tom Rogerson au piano et claviers, Alex Dower à la batterie et moi au saxophone alto et... à la trompette.

L'enregistrement à eu lieu dans un petit studio, la base guitare / basse / batterie a été posée puis le reste a été réalisé en overdub.

Les 5 morceaux de cet albums sont des descriptions de tableaux représentant 5 personnalités américaines : Wile E Coyotte (le méchant coyotte de Bip-Bip), Georges W. Bush, Jimmy Carter, John Wayne and Ed Reinhardt (un artiste qui ne peint que des toiles noires, d'où le clin d'oeil à 'Paint It Black' à travers Mozart et 'Back In Black' dans la partie de batterie).

CD, port compris

France €17,40 EUR Europe €19,10 EUR World €20,60 EUR

 

LP, port compris

France €23,70 EUR Europe €25,50 EUR World €27,70 EUR

Review by Thom Jurek for AllMusic Website

The last Red Krayola collaboration with Art & Language, Sighs Trapped by Liars, issued in 2007 was a genuine surprise: it was, for the most part, accessible -- by RK's standards anyway -- and surprisingly gentle. That said, it stands in stark contrast to this strange, quirky, occasionally maddening Five American Portraits. The portraits referred to in the title are of Wile E. Coyote, President George W. Bush, President Jimmy Carter, John Wayne, and artist Ad Reinhardt. The front of the booklet contains a crudely drawn facial sketch; inside on lined paper are the barest of facial details -- one can only guess that the music is supposed to fill in the details. The lyrics in these "songs" are alternately sung by the Raincoats’ Gina Birch and RK instigator Mayo Thompson: “ . . . the inner ear/of the right ear/the underside/of the left eyelid/of President George W. Bush.” This poetic exercise persists throughout the entire album. The instrumental backing in each tune by Thompson, Tom Watson, Tom Rogerson, Alex Dower, and collaborator Jim O’Rourke evokes classic songs depending on the historical figure. In Coyote’s case it’s Bo Diddley's “Roadrunner”; in Bush’s it’s “Texas, Our Texas” and “The Eyes of Our Texas,” with a song by Thompson called “The New Eyes of Texas” woven in. Jimmy Carter is shaded by traces of “Georgia on My Mind,” while John Wayne's portrait is decorated with “Dixie” and “Just a Closer Walk with Thee.” The wildest is Reinhardt’s, humorously illustrated by a Mozart piano sonata and the Rolling Stones' “Paint It Black.” Along the way -- of course -- there are all kinds of impromptu improvisations and snickering chaotic gestures by the instrumentalists. With this minute facial details as lyrics, however, the effect can be infuriating at times -- at least until they become mantra-like shadows inside the music itself. The RK has been making weirdly wonderful recordings for over 40 years, but this one, as lovely and angular as it is, is one the of the strangest. yet, it’s also -- if you stick with it -- among their most enjoyable.